Menu
Entropy

Group Exhibition Entropy

He An
Liu Wei
Yang Fudong
Zhao Zhao
Sun Xun
Yu Ji
Chen Tianzhuo

Exhibited

10 Mar 2019 to 1 Sep 2019

Location

Faurschou Venice

Grasping the dynamics of today’s Chinese art scene, Entropy explores the works of seven internationally recognized Chinese contemporary artists. Divided into seven sections, each dedicated to the work of one of the seven artists, the exhibition offers an insight into the complexity of the ever-evolving art scene in China today.

Read more (+)

He Taoyuan & Miho Yoshioka, What Makes Me Understand What I Know?, 2013
Neon light box installation
Dimension variable

He Taoyuan & Miho Yoshioka, What Makes Me Understand What I Know?, 2013
Neon light box installation
Dimension variable

He An

Liu Wei

The Stone, 2006
Books, Iron
260 x 260 x 260 cm

The Stone, 2006
Books, Iron
260 x 260 x 260 cm

The Stone, 2006
Books, Iron
260 x 260 x 260 cm

Yang Fudong

Sometimes I wonder... is the version of a film we see in the cinema its standard? What has been cut? What has remained? What has been lost? Where did they go?... Everything has happened, or is happening... perhaps... thus the process is the film.

Yang Fudong

Everything is in subversion, these forces of fission come from each being’s individual will.

Zhao Zhao

Jade-Constellations, 2018
Glass, jade disks
200 x 300 cm x 6 panels

Jade-Constellations, 2018
Glass, jade disks
200 x 300 cm x 6 panels

Jade-Constellations, 2018
Glass, jade disks
200 x 300 cm x 6 panels

If you are able to segregate yourself from reality, you will see cold and hot changes everywhere, as well as temperature and spectrum of substances.

He An

‘Standard’ is constantly changing. The crucial part is to perceive the changes, otherwise, whatever you do, you would feel miserable. I always feel the word indifference is good, only in this state I can feel the changes, and the changes are the premises for all the things, including our life and the art.

Sun Xun

Sun Xun

The Protestant, 2017
Single channel animation
Duration: 6:45 min

The Protestant, 2017
Single channel animation
Duration: 6:45 min

The Protestant, 2017
Single channel animation
Duration: 6:45 min

I hope that my recent works continue to develop in the context of ‘landscape quality’. In practice there are different “paragraphs” of sculpture, thereby creating a question of time where materials can express voice, voice can express time, time can express weight, and vice versa.

Yu Ji

Flesh in Stone: Ghost No. 2, 2018
Cement, plaster, iron
61 x 111 x 28 cm

Flesh is inherently weak, and the border between life and death is, as such, indistinct.

Chen Tianzhou

Bite, 2016
White marble, rosewood, resin, stainless steel, titanium plating, wolf pelt
90 x 60 x 123 cm

Scapegoat 01, 2015
Gold plated copper, medical model, imitation fur, LED plastic sword, styrofoam
210 x 130 x 118 cm

Chen Tianzhou. Installation view by David Stjernholm